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Volunteer Boot Camp -Filming Tips PDF Print E-mail
Written by Tom Loucks   
Monday, 02 April 2012 11:57

Volunteer boot camp: Filming “The Event”

 


Setting

Keep in mind the following questions:

When will I be filming?

Is it indoors or outdoors?

Do I know where the location is and how to get there?

What kind of microphone do I need?

Do I have a clear, unobstructed view?

Does a release need to be signed?

 

Types of Events

Speaker:

Make sure you set up in a place where you have a clear, unobstructed view of the speaker.

Limit people walking in front of camera.

If there is going to be a demonstration, be sure you have a good view of that as well.

Keep the tops of heads from the audience out of the shot.

Limit crowd noise if possible.

Keep in mind the concepts of headroom when filming a speaker.


Sports:

Set up in a place where you have a complete view of the field and scoreboard.  A good place for this is at the top of bleachers or in the crow’s nest.

If you are on the sidelines, make sure you are safe and out of the way.

Follow the action!  If you can zoom in on something exciting happening in time, do it.  We want the best possible view of the event.

Take a shot of the scoreboard every time the score changes or when there is a lull in action.  Also take a shot of the final score.

Do not film through a window.

Take into account the wind.  If it is windy, this will affect your audio.

Use a tripod unless absolutely necessary to film over-the-shoulder.  Limit camera shake.


Event (Concert, play, ribbon cutting, etc.):

What is the main action?  Follow it.

Use zooms to your advantage.

Limit crowd noise if possible.

Limit walk-bys.

 

Scenarios


1. A speaker in a conference room.  There is a podium and an audience.  They will have a PowerPoint presentation.

2. A play in an auditorium.

3. A high school basketball game in a gym.

4. An open house.  It takes place in a small space, no main action.

5. A meeting.  The speakers are sitting in front and to the sides.


There is an audience.

Using your knowledge of set-up and filming, how would you get the best footage of each of these scenarios?

 

 

 

Last Updated on Thursday, 27 December 2012 21:05
 
 
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